Naked in Baghdad
Jan. 29th, 2006 08:26 ambook read: Anne Garrels, Naked in Baghdad.
If you remember vividly Garrels' reporting from the early days of the war on NPR, this book will seem familiar. It's mostly day by day 'journal entries' from her 2 lead-up visits in Dec. and Jan., and then her extended stay as the war began on March 20, 2003, with occasional emails sent by her husband to their circle of friends and family reporting on her. Her voice is distinctive, and this has more of the background details of managing life in a city that's being bombed amidst a tightly controlling bureaucracy as it falls apart, relationships with the other reporters and her drivers and minders, and reminiscences from other war zones she's covered. Yes, she really talked to Robert Seigel naked, from her hotel room, at 1am local time. She didn't tell Robert she was naked.
When I was a child, I wanted to be a war correspondent when I grew up. I had a distinct fantasy about reporting from a rooftop in Kabul as the Russians took the city (since this occurred in, what, 1980, I was 8. A romantic and strangely well-informed 8.) Anne Garrels didn't intend to be one, but she turned out to be excellent at it (her husband describes it as a switch that comes on in her, transforming her into this hyper-organized, driven person, in contrast to the person he sees at home). Looking at the skills she musters - logistics of housing and food; politics with local authorities, feuding minders who want to hire their nephews to drive her, and the other reporters; and the ability to quickly develop trust and close communication and deep understanding with local people, from families she visits once to her driver Amer, who becomes family to her - well, I'd have made a shitty war correspondent.
If you remember vividly Garrels' reporting from the early days of the war on NPR, this book will seem familiar. It's mostly day by day 'journal entries' from her 2 lead-up visits in Dec. and Jan., and then her extended stay as the war began on March 20, 2003, with occasional emails sent by her husband to their circle of friends and family reporting on her. Her voice is distinctive, and this has more of the background details of managing life in a city that's being bombed amidst a tightly controlling bureaucracy as it falls apart, relationships with the other reporters and her drivers and minders, and reminiscences from other war zones she's covered. Yes, she really talked to Robert Seigel naked, from her hotel room, at 1am local time. She didn't tell Robert she was naked.
When I was a child, I wanted to be a war correspondent when I grew up. I had a distinct fantasy about reporting from a rooftop in Kabul as the Russians took the city (since this occurred in, what, 1980, I was 8. A romantic and strangely well-informed 8.) Anne Garrels didn't intend to be one, but she turned out to be excellent at it (her husband describes it as a switch that comes on in her, transforming her into this hyper-organized, driven person, in contrast to the person he sees at home). Looking at the skills she musters - logistics of housing and food; politics with local authorities, feuding minders who want to hire their nephews to drive her, and the other reporters; and the ability to quickly develop trust and close communication and deep understanding with local people, from families she visits once to her driver Amer, who becomes family to her - well, I'd have made a shitty war correspondent.