Loretta Chase, The Last Hellion (1988, one of her early traditional regencies.)
She's a prim and naive but determined and exasperated daughter of the nobility who escapes to London in flight from an arranged marraige to her drunken louty dad's crony and ends up in a brothel. He's the drunken louty but really really cute son of the nobility who's almost her first "customer," rescues her, and goes nearly batty trying to prevent himself from falling for her. They fight a very small amount of crime, in the form of attempted blackmail, but mostly they fight their attraction for one another.
No sex, this is a rengency. I was amused at the frothiness of a plot that had basically serious elements (alcoholism, prostitution) and nowadays would be treated with high drama and wickeder villains and would be very dark and psychological. Hail the true regency; I'm so into light and comedy instead of dark right now. I also like a book where the focus is really on the characters' journey towards falling in love, and less on the plot that gets them threre. So many romance authors work so hard to create conflict through (often outlandish) plot, or have really violent character-based conflicts (he was betrayed and hates all women; she was abused; yadda yadda). It's actually more romantic to me when two normal glumpish people drift together into love, perhaps against their real inclination or expectation, than all this psychology.
I'm getting old and crotchety, aren't I?
She's a prim and naive but determined and exasperated daughter of the nobility who escapes to London in flight from an arranged marraige to her drunken louty dad's crony and ends up in a brothel. He's the drunken louty but really really cute son of the nobility who's almost her first "customer," rescues her, and goes nearly batty trying to prevent himself from falling for her. They fight a very small amount of crime, in the form of attempted blackmail, but mostly they fight their attraction for one another.
No sex, this is a rengency. I was amused at the frothiness of a plot that had basically serious elements (alcoholism, prostitution) and nowadays would be treated with high drama and wickeder villains and would be very dark and psychological. Hail the true regency; I'm so into light and comedy instead of dark right now. I also like a book where the focus is really on the characters' journey towards falling in love, and less on the plot that gets them threre. So many romance authors work so hard to create conflict through (often outlandish) plot, or have really violent character-based conflicts (he was betrayed and hates all women; she was abused; yadda yadda). It's actually more romantic to me when two normal glumpish people drift together into love, perhaps against their real inclination or expectation, than all this psychology.
I'm getting old and crotchety, aren't I?